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Respecting the Balance: Thoughts on The Substance

Theme week organized by
Mickey RandleGeorgia State University

“You Are One”: The Patriarchal Phantom Body in The Substance

By Tara Heimberger

Decaying Youth: Sonic Storytelling in The Substance 

By Christopher Lizza

The Substance Is a Witch Film

By Payton McCarty-Simas

Eyes in the Cage: The Substance and the Fragility of Self

By Parsa Naji

Charts to Follow: Keeping Time's Intergenerational Transmissions

Theme week organized by
Daren FowlerGeorgia State University

Coming Home with Keeping Time

By Alessandra Raengo

Keeping Time, A house as infrastructure not (un)real estate.

By Anna winter Colin Delargy

Swing's Fabulation: Keeping Time

By Daren Fowler

Cutting Up: Keeping Time's Ensemblic Humor

By Corey Couch

Track 25: The Living Room Studio - a slow archive of black study: the mixtape

By djones

SNL 50th Anniversary

Theme week organized by
Ethan TusseyGeorgia State University

In Memoriam at SNL 50

By Brittney Edmonds

Otherworldly Comedic Legacies, or; Legends Waiting in the Wings

By Meredith Bak

The Lore of Lorne

By Peter C. Kunze

The Anxiety Inducing Workflow of SNL Comedy

By Ethan Tussey

Conversation Between Contributors

CONSTELLATIONS (Part II)

Queer World Building and Utopian Possibilities

By Stacy Rusnak

Failing to Arouse: Pornographic Aesthetics of Queerness

By Daren Fowler

One last Shot for the Sake of Correction: a re-look at the finale of my Constellations paper.

By Christopher Minz

Bresson Errs; Who Would Have Thought?

By Sara Ghazi Asadollahi

CONSTELLATIONS (Part I)

Constellations—A Call for Practice

By Jordan Chrietzberg

Try This at Home

By Alessandra Raengo

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By Jenny Gunn

Through Forbidden Frames: New Visions in Contemporary Iranian Cinema

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Preposterous cinema, or The Death of a Nation 

By WilliamBrown

Gender, Ethnicity, and Subtraction of Blackness in Mohammad Rasoulof's (Trans)National Cinema

By Mehran Abdollahi

Between Fact and Fiction: Reading Rasoulof’s The Seed of the Sacred Fig as Documentary

By Michelle Quay

The fictional construction of reality in Careless Crime

By Venus Bayat

Foucault and Film (Part II)

Theme week organized by
Jenny GunnGeorgia State University

“My memory comes in the way of your history”: Radical remembrance in Amma Ariyan as a route to politicizing history

By SanchariDuttaChowdhury

Ray vs. Foucault on the speech of the ‘mad’ subject

By Basudhara Purkait

The Empty Panopticon: Surveillance and Parrhesia in Iranian Cinema

By Parsa Naji

Sing Sing and The Cinematic Prison

By Jeffrey W. Peterson

Prisons of Rhythm

By Jarred Biederstaedt
Poster designed by Sara Ghazi Asadollahi

Foucault and Film (Part I)

Theme week organized by
Jenny GunnGeorgia State University

Foucault’s ‘Cinematicity’

By Jenny Gunn

The Lonsdale Operator

By Jordan Chrietzberg

The HETEROTOPIA OF SAINT PETERSBURG: Film Landmark of POLITICAL CHANGE

By Xenia Leonteva

Untethering Structures of Power: Re-Examining Foucault’s Heterotopia

By Tara Heimberger

Auteurs in the Age of Social Media

Theme week organized by
Cáit MurphyTrinity College Dublin

Goncharov’s Auteurish Aesthetics

By Olivia Stowell

TikTok Wes (AI)nderson

By Cáit Murphy

Jim Jarmusch as (Instagram) Collage Artist

By Jennifer O'Meara

The Masculine Surreal: Damon Packard’s AI-Aided Auteurship

By Jaka Lombar

Collaborative Authorship and Lulu Wang’s Expats

By Stefania Marghitu

Religious Cinematics: Visualising Faith in the 21st Century

Theme week organized by
SanchariDuttaChowdhuryGeorgia State University - Department of Communication

The Religious Experience as Politics of Insurgency?

By AbinashDashChoudhury

Abject Martyrdom_ Queer Becomings in João Pedro Rodrigues

By Daren Fowler

Toward a Vulvar Signifier: Rob Zombie’s 21st Century Mytho-Poetic Revision

By Christopher Minz

A24’s “Heretic” and The History of Mormonism in Cinema

By Mickey Randle

Deus Ex Machina: Transcendental Style, Post-Secular Cinema, and After Yang

By Caleb Ward

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