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Movies the Video: Allusions and Pastiche in Music Videos

Theme week organized by
Thomas GoodchildGeorgia State University

Be the Femme Fatale: Noir Props in Mitski’s “Washing Machine Heart” Music Video

By Thomas Goodchild

The Spectacle and His Master: Allusions to The Cabinet of Dr. Caligari (1920) in Phantom of the Paradise (1974)

By Charles Suor

"Light Up the Night" and a Band's Pivot from Videogame Fandom to 80s Nostalgia

By Micheal B. Raines

Audiovisual Afterlives: The Film Tie-In Music Video and Rod Wave's "Sinners"

By Joshua Lee Yates

Opticality: Seeing in the Way of Things

Theme week organized by
liquid blacknessGeorgia State University

Studying to See

By Daren Fowler PhD

The Residue of the Return

By djones PhD

The (Black)Maternal Function and Opticality

By Lizette London

Uncertainty is the Point

By Anna Winter MFA

Soulful Cinema, an Instrument… A Weapon… and Probably a Hat

By Corey Coach PhD

Representations of Families in the Media

Theme week organized by
Dr. Narissra Punyanunt-CarterTexas Tech Universiy

When Protection Becomes Secrecy: Communication Privacy Management in This Is Us

By Mikayla Koppy

Never Have I Ever: Navigating the Autonomy-Connection Dialectic

By Gianmarco Soares de Vargas

Redefining Authority: Family Communication and Identity Formation in Avatar: The Last Airbender

By ChrisLynne Stokes

Talk as Survival: Family Communication Patterns and Nontraditional Family Life in Shameless

By Sumeyya Akdilek

Co-Parenting in Contemporary Television: Jane The Virgin

By Mackenzie Mickavicz

Winter Olympics

Theme week organized by
Ethan TusseyGeorgia State University

Slip and Fall: Winter Olympics Wipeouts and Injury Videos

By Ethan Tussey

The Mediated Spectacle of the Olympic Fall

By Brett Siegel

U.S. Olympic Hockey, Media Discourse, and the Pervasiveness of the Myth of Sports’ Unifying Power

By Kristin Wells

The Stories We Find in Spaces, the Memories We Share in Place: An Interdisciplinary & Intersectional Exploration of Culture, History, and Placemaking

Theme week organized by
Mikayla RenwickTexas A&M University
Asha S. WinfieldLouisiana State University

Black Placemaking Across Terrains: Exploring and (Re)defining the Culture & Place of Black Philly

By Mikayla Renwick Asha S. Winfield

Home is where the heart is: Dying to live in Cancer Alley

By Joshua Jordan

Where Stories Rest: Encountering Community and Memory

By Jennifer Blanks

‘We Look Out for One Another’: Collective Survival in the Face of Disaster

By Chandler Wilkins

Mapping Queer Rhetorical Hauntings

By Anum Ahmed

The Screening Group – Antagonism – Part Two

Theme week organized by
Jordan ChrietzbergGeorgia State University

One is Never Enough

By Jenny Gunn

You Can’t Unfuck a Myth-Poetic: (failed?) Antagonism in Battle in Heaven

By Christopher Minz

Excavations and Confrontations with Labor in Kaori Oda's Aragane

By Jarred Biederstaedt

An Argument in the Ordinary

By Sara Ghazi Asadollahi

The Screening Group – Antagonism – Part One

Theme week organized by
Jordan ChrietzbergGeorgia State University

The Information

By Jordan Chrietzberg

Macho Dancer: Agonizing Contexts, or What to do about hot men gyrating?

By Daren Fowler

Posterior Antagonisms in Larisa Shepitko's Heat (1962)

By Jayson William Quearry

“See Me as I Feel You”: Manhunter (1986) and the Antagonistic use of The Prime Movers

By Thomas Goodchild

Critique of Audiovisual Criticism

Theme week organized by
Jane M. GainesColumbia University

Introduction to Special Issue on Audiovisual Criticism

By Jane M. Gaines

“The Instant in Which”: What Big Jet TV Livestreaming and TikTok Cat Videos Have in Common 

By Jane M. Gaines

“Goya and the Representation of War”

By Behrang Garakani

Trapped on a Pedestal

By Samantha Gordon

Carol (2015): Discontinuity in Pursuit of Jean Epstein's Photogénie

By Lillian Cummings

Turning Up the Red Queen

By Matthew Solomon

Reproduction Revisited: Voices from Console-ing Passions 2025

Theme week organized by
Sara Ghazi AsadollahiGeorgia State University

Sounding the Alarm: Canadian Academics, American Reality TV Labor, and Constrained Participation

By Wendy Peters

Chucky Three Ways: Narrative, Industry, Fandom

By Amanda Ann Klein Suzanne Scott Matt Boyd Smith

Lag(ging): Erykah Badu and J Dilla's Temporal Strategies 

By Lynette Mawolu Dixon

What is Trans Film (To Me)?

By AJ Castle

Queer Animation: Past and Present (Part II)

Theme week organized by
Jacqueline RistolaUniversity of Bristol

Stay With Me: Watching Promare (2019) in English with Japanese Fans

By Cailtin Casiello

Redefining Shōnen Masculinity through Queer Strength in Wind Breaker

By Mihaela Mihailova

NiGHTS into Dreams: Trans Animation and Mythic Landscape

By Evelyn Ramiel

Unpacking Identity in Ambient Rooms

By T. R. Merchant-Knudsen

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