Archives Displaying 41 - 50 of 628 Sort by Oldest firstNewest first House of the DragonApril 17, 2023 to April 23, 2023Theme week organized by Mychal Reiff-Shanks Audience Expectations for Intertextual Engagement with the Musical Score for House of the DragonBy James Denis Mc Glynn Monday, April 17, 2023 “Especially cruel to you:” Viscerys Targaryen & Reactions to DisabilityBy Marty Heath Tuesday, April 18, 2023 Docile DragonsBy John Rose Wednesday, April 19, 2023 A Song of Whitewashing and Misrepresentation: The Diversity Issue in House of the Dragon CastingBy Jazmine R. Hudson Thursday, April 20, 2023 Quantumania, the Multiverse, and the State of the MCUApril 10, 2023 to April 16, 2023Theme week organized by Anthony DannarAuburn University Anger and Fear and FeminismBy Christina Knopf Monday, April 10, 2023 Intruders from Reality: Entertainment Turned HomeworkBy Sovi Herring Tuesday, April 11, 2023 Multiverse of Blackness: Examining Black Futurity and Queer TimeBy Mychal Reiff-Shanks Wednesday, April 12, 2023 All the Way Home: Disney Dominance and the State of Brand Assimilation in the MCU By Matthew J. Smith Trevor Smith Thursday, April 13, 2023 Visibility and Representation: Ms. Marvel’s Journey of BecomingBy Malcolm Evans Lindsay Duede Friday, April 14, 2023 The Contemporary Streaming Style IIApril 24, 2023 to April 30, 2023Theme week organized by Jordan ChrietzbergGeorgia State University The Unbingeable (or, Saying no to Netflix)By Neta Alexander Monday, April 24, 2023 Streaming Mind, Streaming BodyBy Shane Denson Tuesday, April 25, 2023 Of Orcs and Gridirons: Amazon’s Prime Video’s Streaming StyleBy Ethan Tussey Wednesday, April 26, 2023 Analyzing Short Audiovisual Forms through "Atmospheres," Neuroscience, and Parametric ApproachesBy Carol Vernallis Thursday, April 27, 2023 Getting Ahead of Ourselves on TikTokBy Jennifer Barker Friday, April 28, 2023 The Off-ScreenMarch 27, 2023 to March 31, 2023Theme week organized by Navid DarvishzadehGeorgia State UniversityJordan ChrietzbergGeorgia State University Five Notes on Time, Space, and the FrameBy Daniel Morgan Monday, March 27, 2023 A Plea for Mise en EspritBy Julian Hanich Monday, March 27, 2023 On Antonioni’s Late ModernismBy Sulgi Lie Monday, March 27, 2023 The Off-screen Caught in BecomingBy Navid Darvishzadeh Monday, March 27, 2023 The Maggie Cheung We Don’t SeeBy Xueli Wang Monday, March 27, 2023 Contemporary Streaming StyleMarch 20, 2023 to March 26, 2023Theme week organized by Jordan ChrietzbergGeorgia State University FAST and Furious: tubi and TV’s RevengeBy J.D. Connor Monday, March 20, 2023 Rediscovering the Water CoolerBy Jordan Schonig Monday, March 20, 2023 Everything Digital Everywhere All at OnceBy Jeffrey Sconce Monday, March 20, 2023 SKIP INTROBy Evan Calder Williams Monday, March 20, 2023 The State of Film Theory: Rhythm Image, Content Warnings, Close Reading, Feminist Archives, InterbeingMarch 13, 2023 to March 19, 2023Theme week organized by Navid DarvishzadehGeorgia State University A Third Audiovisual Regime: The Rhythm ImageBy Steven Shaviro Monday, March 13, 2023 All the FeelsBy Adrian Martin Monday, March 13, 2023 How I Have Not Written Certain of My ReadingsBy Eugenie Brinkema Monday, March 13, 2023 Breaking Plates: Feminist Archives, Media Fragments, and Film Theory Now!By Maggie Hennefeld Monday, March 13, 2023 InterbeingBy Victor Fan Monday, March 13, 2023 Death Positive MediaFebruary 27, 2023 to March 5, 2023Theme week organized by Ashley JonesGeorgia Southwestern State University Voices from the Death Positive Movement By Anna Wilde Monday, February 27, 2023 Seasonal Ruins: The Transformative Potential of Hidden “Dead” StructuresBy Evan R. Jones Tuesday, February 28, 2023 Small Traces: Death Positivity in El laberinto del fauno (Pan’s Labyrinth)By Emma A. Hallock Wednesday, March 1, 2023 Chocolate Babies: The Utopic Potentiality of Queer-Trans Death CareBy Jade Courchesne Dan Vena Thursday, March 2, 2023 See You Yesterday, Maybe…By Katrina M. Overby Friday, March 3, 2023 The Legacy of GamergateFebruary 20, 2023 to February 26, 2023Theme week organized by Caren PagelGeorgia State University A Very Brief History of Gamergate, 2012-2016By Caren Pagel Monday, February 20, 2023 "Why is she so big?". Gamergate clashes in the release of The Last of Us Part II By Danilo Giglitto Joan Ramon Rodriguez-Amat Tuesday, February 21, 2023 Where are the Vagina Bones?: Fire Emblem’s Legacy of Localization and its Misogynistic Orientalist Critics By Samantha Tecson Wednesday, February 22, 2023 Cancelling and Calling Out: A Gamergate LegacyBy Jennifer K. L. Buchan Thursday, February 23, 2023 FX's AtlantaFebruary 13, 2023 to February 19, 2023Theme week organized by Natasha Ori BaileyGeorgia State UniversityPete RorabaughKennesaw State University Reality in “The Woods”By Pete Rorabaugh Monday, February 13, 2023 Earnest Money: The Politics, Power, and Promise of Black College CompletionBy Steven Francisco Tuesday, February 14, 2023 The Importance of Not Being EarnestBy Natasha Ori Bailey Wednesday, February 15, 2023 Better Belly Buss or: Caribbean women will have their revenge on the New WorldBy Dionne Irving Thursday, February 16, 2023 They Don’t Really Care About UsBy Von Phoenix Friday, February 17, 2023 Woman, Life, FreedomFebruary 6, 2023 to February 12, 2023Theme week organized by Navid DarvishzadehGeorgia State University Comments on "Woman, Life, Freedom"By Shirin Ebadi Monday, February 6, 2023 Organization, Articulation, and MultitudeBy Michael Hardt Monday, February 6, 2023 We’ll Fight, We’ll Die, We’ll Take Iran BackBy Claudia Yaghoobi Monday, February 6, 2023 Iran: A Post-Islamist Society Revolts Against an Islamist State By Mojtaba Mahdavi Monday, February 6, 2023 A Manifesto in Music: Woman, Life, Freedom’s Song by Shervin HajipourBy Pardis Minuchehr Monday, February 6, 2023 I’ll Have It in a Transparent Bag!By Navid Darvishzadeh Monday, February 6, 2023 Pages« first ‹ previous 1 2 3 4 5 6 7 8 9 … next › last »
