Eyes in the Cage: The Substance and the Fragility of Self Substance self fragility Curator's Note Coralie Fargeat’s The Substance (2024) defies singular interpretation, yet for me its visceral portrayal of the human body’s instability lingers as its ...
The Empty Panopticon: Surveillance and Parrhesia in Iranian Cinema Foucault Iranian cinema Curator's Note The heavy shadow of government censorship has loomed over Iranian cinema since the victory of the Islamic Revolution in 1979. This system is ext ...
