Tag: Videographic Criticism “Goya and the Representation of War” By Behrang Garakani Tuesday, January 27, 2026 Critique of Audiovisual CriticismJanuary 23, 2026 to January 31, 2026Theme week organized by Jane M. GainesColumbia University Introduction to Special Issue on Audiovisual Criticism By Jane M. Gaines Friday, January 23, 2026 “The Instant in Which”: What Big Jet TV Livestreaming and TikTok Cat Videos Have in Common By Jane M. Gaines Monday, January 26, 2026 “Goya and the Representation of War” By Behrang Garakani Tuesday, January 27, 2026 Trapped on a PedestalBy Samantha Gordon Wednesday, January 28, 2026 Carol (2015): Discontinuity in Pursuit of Jean Epstein's Photogénie By Lillian Cummings Thursday, January 29, 2026 Turning Up the Red QueenBy Matthew Solomon Friday, January 30, 2026 “No Limits”: The Untamed, Fan Video, and Affective RepetitionBy Louisa Stein Thursday, February 25, 2021 Vidding Meets VideographicBy Sam Close Friday, December 21, 2018 From Queen to Wife: The Domestication of Padmé AmidalaBy Chelsea McCracken Friday, September 28, 2018 The role of film festivals in promoting videographic film studies and criticismBy Chiara Grizzaffi Monday, August 21, 2017 Getting Outside the Box: Videographic Criticism and Comics StudiesBy Drew Morton Monday, August 7, 2017 Watching the Watchmen: Adapting Formalism into Videographic CriticismBy Drew Morton Monday, February 13, 2017
